Showing posts with label 32nd Street/USC Visual and Performing Arts Magnet. Show all posts
Showing posts with label 32nd Street/USC Visual and Performing Arts Magnet. Show all posts

Sunday, July 24, 2016

DAYS OF PAIN AND THE ONLY REMEDY LEADS TO MORE PAIN

 




   Part of me says this is a big mistake as a blog post since it will only serve to depress people. The other part says I need to write this for myself and apologize to anyone who might be offended by it.

   On February 25 I underwent a complete hysterectomy while the wonderful surgeon biopsied the growths  found in my ovaries, my uterus, etc. as she went, finding two kinds of cancer, unfortunately. One was 3rd stage ovarian, the other ? stage uterine.  The operation should have taken care of all the cancer they found, including removing the omentum .  YES - this is a real thing and you can read about it on the link.  Some of my details are much too gross to write about.   What seems remarkable to me is how this was all done in one operation, with three small incisions, and my recovery was quite rapid.  A friend who had a hysterectomy about 15 years ago took six weeks to recover.  I am grateful for the advances, some of them, that have been made in medicine.



   I began my issues with pain at about 50 years old - serious arthritis in my left thumb, and inability to move my head completely (due in part to hours spent on the computer which I started using in about 1980 and have used ever since on every job I've had).  At first I dealt with the pain using alternative methods - luckily found a health food store across the street from my school - 32nd Street - where I'd been hired as the Teacher Librarian.  I have a long history with that school, starting in 1965.  Anyway, this wonderful man from Gambia ran the health food store serving the African American community. He didn't make much money but I think ran it out of love.  I could tell him my symptoms and whatever he recommended always did the trick.  I moved away from 32nd St in 2002 which was a big mistake, since I stopped going to my friend Mr. Braithwaite for advice.  He cured my neck pain back in 1997 with Glucosamine and MSM.

   So what was this pain a sign of in my life that needed to be changed?  I was starting a totally new profession at the age of 50, I had to work 8 hours a day, and then attend college on weekends, with loads of homework.  I still had a teenage daughter at home. My life was complicated. Perhaps too complicated for my nervous system.  I've long thought that had I been born in the 1700s or so I would not have survived because I was born with allergies, and never did have a strong nervous system.  But as Dr. Gabor-Mate might have explained, I was also born into the time that my parents were fiercely persecuted by the federal government. My anxiety and fear had a basis in fact. My father was in danger of being executed.  I was merely reflecting the fear of my parents which they tried to hide, but it was impossible.

           "The brain is affected by the environment not only during critical periods of early childhood development, but throughout the human lifetime. In Hold On to Your Kids, co-authored with Dr. Gordon Neufeld, Dr. Maté provides insight into the environmental factors necessary for healthy child development."

    Back to the question of pain, which I have been enduring these past five months, and have tried to understand.  I have had to undergo six sessions of chemotherapy which were broken up by three sessions of radiation.  Radiation, although uncomfortable, did not seem to have side effects. So for about 9 weeks I was fairly symptom free.  But the chemotherapy, unfortunately, is much more fraught with side effects that leave one feeling hopeless, helpless, and desesperada.  Not quite desperate, but with an emotion that I somehow cannot explain in English.

   Two WORDCLOUDS about my pain:



I never imagined one could experience so many side effects from a medication. Of course I stupidly forget that chemotherapy is meant to KILL the cells in your body -- but what I don't understand is why they aren't applied more selectively.  For example, in my case, internally the drug could be applied in just the area where my cancer resided.  In a way, this is what the radiation therapists did. It
 was very concentrated and focused.  I'm sure I had side effects from it -- but not nearly so many.

   I asked the nurse practitioner (who is no longer there sadly) on the Oncology Gyn unit what I could do for the pain.  It was as if I had a serious flu that knocked me down for at least a week, and now ten or 12 days.  Wonderful nurse that she is, who believes in marijuana use for some things, and wants to run for president on the marijuana ticket, told me to use pain meds.  She generously gave me enough to last a lifetime -- only because I can't really take them.

   So the only remedy for all this pain is more pain.   Did I mention that for the first few days I am so backed up from all the medication I have been given to prevent nausea and vomiting that the effort to go is enough to make you feel like committing suicide or a crime.  I have never experienced such horrible pain before.  Childbirth in my experience was not painful - I know, that isn't really fair.  But I had no real contractions.  It was a strange birth process.  But since then I have experienced many other painful episodes that have left me breathless.  This one was the worst.

   And I cannot take the pain meds -- they don't really help me except to give me a few hours of sleep. And the result of taking them is even more pain. And probably light headedness and dizziness which are also new symptoms.

   Now they tell us that serious pain medication has led to suicide.    People are taking too much of it. So they won't prescribe medication that actually works.  When my father was dying of bone cancer, a pain that radiated from the top of his head down to his toes, they gave him morphine.  I watched him writhe in pain when he thought we weren't looking.  He had been six feet tall and probably 180 pounds of muscle and bone, not really ever fat.  I looked upon him nearly as a skeleton as he shrank away to nothingness with bone cancer.  A humane society would provide him with all the dope it could find, and in fact speed up the pace of his death.   A wild and wonderful friend later told me I should have "scored some heroine" for him on the street. As if I could've done that. But I do wish I had.

Some of the pain meds I have used in the past:   [one I believe affected my developing acid reflux]



 






   Actually I never did try oxycontin - though it was available in Costa Rica over the counter strangely (while more common drugs had to have a prescription).  I can see how people could be hooked on one of these or more.  Pain is debilitating, exhausting, enervating -- it takes away your will to live, your joy of life.    Luckily I have had luck with MSM as I said, as well as acupuncture.  Before this last infusion I went to an acupuncturist in Silverlake.  I truly think it helped but not as much as I would have liked.

   By the end of August I hope to be finished with all my chemotherapy and on the mend. Most importantly I need to resume my four day a week exercise schedule.  Preferably I would like to get a pool put in my backyard so that I could swim every day. I am convinced this is the perfect exercise for people with arthritis.   Meanwhile, I wish with all my might that capitalism goes away, socialism is installed in every country, and all our money goes to finding a cure for cancer instead of starting wars all over the world.  

 


Greater OMENTUM -   https://en.wikipedia.org/wiki/Greater_omentum 
Dr. Gabor Mate - http://drgabormate.com 
Free online word generator - http://www.wordclouds.com 
Irina Tsoy Acupuncture - http://www.irinatsoy.com/Home.html 

Monday, March 14, 2016

MARCH IS WOMEN'S HISTORY MONTH - ALILE SHARON LARKIN, FILMMAKER, ARTIST, TEACHER

 



   Alile Sharon Larkin is a filmmaker, artist, storyteller, children's book author, retired elementary school teacher and more.  I had the pleasure of working with her at 32nd Street/USC Visual and Performing Arts Magnet.  One of the best activities organized by the library at 32nd Street while I was the Teacher Librarian was a night of storytelling with Alile Larkin.  Her talents are astounding, her classroom was alive with the love of learning, and art, and involvement.  Her students were so lucky to have her. And I don't think she ever got the recognition she deserved as a teacher, but then again, teachers rarely do.  One good thing is that she won several VIC (Video in the Classroom) Awards from the Los Angeles Unified School District's television station KLCS.


   
   "Alile Sharon Larkin is an artist-educator and award-winning independent film and video maker. Larkin has been a public school teacher in Los Angeles for 25 years and has taught at 32nd Street/USC Visual and Performing Arts Magnet School since 1993. Her teaching experience ranges from pre-K to college and filmmaking is part of Larkin’s interdisciplinary curriculum. She has received nine Video in the Classroom Awards for teacher-produced films, documenting students learning about textile arts, storytelling, yoga, jazz, women’s history, Kwanzaa and African American dance."      UCLA  
BIRTHPLACE: Chicago, IL   Born May 6, 1953
EDUCATION:
USC, B.A., Humanities (Creative Writing) 1975; UCLA, M.F.A. 1982; California State University, Los Angeles, M.A. Education 1991



   "Her film, Your Children Come Back To You (1979), presents a child’s perspective on wealth and social inequality, and has screened throughout U.S. and Europe. A Different Image (1982), about an African American woman contemplating self-identity, heritage and perception, received critical praise and earned her first prize from the Black American Cinema Society, won Best Production of 1981 from the Black Filmmaker Foundation, and was named runner-up for best short film at FILMEX.

   "The screenplay of A Different Image was published in “Screenplays of the African American Experience” (Indiana University Press, 1991). Larkin’s critical essay, “Black Women Filmmakers Defending Ourselves,” appears in Female Spectators (Verso Editions, London). Larkin is currently working on a children’s music DVD, “Tie-Dye.”

Dreadlocks and the Three Bears

From Film Directors Site:

   "African-American independent filmmaker Alile Sharon Larkin burst onto the fresh and electrifying world of the black cinema movement in 1979 when she completed her production of Your Children Come Back to You while still a film student. After studying creative writing and earning a bachelor?s at the University of Southern California, Larkin entered the M.F.A. program in film and television production at the University of California, Los Angeles. Along with classmates Barbara McCullough and Carroll Blue, together they helped form the second wave of black "womanist" filmmakers.

   "Her 1979 film explores issues concerned with the "blind" assimilation of Western culture. Larkin is perhaps best known, however, for her award-winning 1982 production of the film, A Different Image. Simple in construction but powerful in message, A Different Image explores the exploitation of women's bodies and the sexism and racism of Western culture all against a backdrop of "Pan-African consciousness."



   "It is the story of Alana, a young, free-spirited African-American woman, and her best friend Vincent. Though their relationship has always been platonic, Vincent allows himself to become influenced by an older male friend, who teases him about not having "gotten over" on Alana. Vincent?s world is the real world: billboards adorned with erotic images of scantily clad women dot the highway; men?s magazines exploit the sacredness of the female body. Larkin intersperses this imagery of sexism and exploitation with a montage of other images; that of photographs of black American and African women of all shapes, sizes, hues, dress, and ethnicity?including women of cultures where various states of undress are the norm and not a means of exploitation and for the selling of products.

   "In a moment of supreme weakness, Vincent attempts to molest a tired and sleeping Alana who accuses him of rape. He has violated the sanctity of their friendship. Noting his stack of Penthouse magazines, she cries at him in desperation: "We see you! Why can't you see us?"

   "A Different Image received a great deal of well-deserved accolades and a good measure of recognition, including a first place award from the Black American Cinema Society. Though largely well-received, Larkin's work has also endured some criticism. As she has noted in various interviews, she was sometimes maligned by "radical feminists," who would have preferred that her work contain more of a general condemnation of black men. Some felt that she should align herself with white women against patriarchy. Larkin is very clear in her position on these and other issues in her essay on black women filmmakers that appears in a book edited by E. Deidre Pribram, "White feminists' insistence that black women condemn Black men is seen by many of us as a tactic . . . to divide and conquer us as a people." Further, she states, "many Black women see feminism as a "white women's movement," not at all separate from the rest of white society.?"



Your Children Come Back To You

   "Like her contemporaries, Larkin concerns herself with much more than simply "women's stories," but seeks to explore themes rarely dealt with realistically by the mainstream film industry. Issues of assimilation, Western beauty standards, sexism, stereotyping, and the history of the African-American experience are appropriate fodder for her work, just as they are for many black women filmmakers. Black women filmmakers, too, share the same difficulties, most notably the challenge of procuring funding for their work.

In addition to her work in film, Larkin is a videographer and has produced or co-produced material for television. Larkin is a co-founder of the Black Filmmakers Collective. This group of independent filmmakers, with a grant from the California Foundation for Community Service Cable Television, produced the 1984 cable program My Dream Is to Marry an African Prince. It focused on the effects that racial stereotyping has on the psyche of young black children. "I believe it is important for Black people to control their own image," she states, "Black people working in the established "Western" film industry do not have the power that we [independent filmmakers] have." In 1985 she began an examination of racism and sexism in contemporary Christianity in the production of What Color Is God.

In 1987, through a commission from the Woman?s Building, she produced Miss Fluci Moses, a documentary of the life of African-American poet and educator Louise Jane Moses. This presentation was screened on cable television. Larkin, a staunch advocate of children's education television in 1989 formed NAP productions for the purpose of producing quality education children's television and video."   PAMALA S. DEANE




Blog indiewire - http://blogs.indiewire.com/shadowandact/a-different-image-alile-sharon-larkin-retrospective-l-a-rebellion-film-series
Cinema at UCLA - https://www.cinema.ucla.edu/la-rebellion/alile-sharon-larkin
Black Film Center/Archive - https://blackfilmcenterarchive.wordpress.com/tag/alile-sharon-larkin/
Film Directors Site - http://www.filmdirectorssite.com/alile-sharon-larkin 
L.A. Rebellion: Creating a New Cinema (book) - https://books.google.com/books?id=-8OqCgAAQBAJ&pg=PA389&lpg=PA389&dq=Alile+Sharon+Larkin&source=bl&ots=mOQ81kdwcV&sig=E0i1j0f177Ta7miT9WtVbPWBrr4&hl=en&sa=X&ved=0ahUKEwjAz5Pe4sHLAhUQ12MKHX1TDU8Q6AEIWDAM#v=onepage&q=Alile%20Sharon%20Larkin&f=false
Online Archives Indiana University - http://webapp1.dlib.indiana.edu/findingaids/view?doc.view=entire_text&docId=VAC1090
IMDB - http://www.imdb.com/name/nm0488260/ 
The Cinephiliac - https://thecinephiliac.com/2016/02/29/euzhan-palcys-a-dry-white-season-1989-academy-awards-and-the-future-of-black-women-producing-film/ 
Wikipedia - https://en.wikipedia.org/wiki/Alile_Sharon_Larkin 
Linked In - https://www.linkedin.com/in/alile-sharon-larkin-1bb56ba1 
Video in the Classroom - http://klcs.org/vic-awards/